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<ead><eadheader audience="internal"><eadid countrycode="us" mainagencycode="NvLN" url="www.library.unlv.edu/">unlv.1996.22</eadid>
<filedesc audience="external">
<titlestmt>
<titleproper>Guide to the Matt Gregory Entertainment Collection 
</titleproper>
<author>Finding aid written by Courtney Hartford-Fuller. </author></titlestmt>
<publicationstmt><publisher>Special Collections, UNLV Libraries, University of Nevada, Las Vegas.</publisher><date calendar="gregorian">May 1999.</date></publicationstmt></filedesc>
<profiledesc><creation>Finding aid encoded by Dana Miller<date calendar="gregorian" normal="2006">May 2007.</date></creation></profiledesc></eadheader>

<archdesc level="collection" relatedencoding="MARC21"><did><head>Descriptive Summary</head>
<unittitle label="Title" encodinganalog="245$a">Matt Gregory Entertainment Collection 
<unitdate calendar="gregorian" type="inclusive" encodinganalog="245$f" normal="1959/1986">1959-1986 (inclusive)</unitdate></unittitle>
<unitid label="Collection Number" encodinganalog="099" type="accession number" countrycode="us" repositorycode="NvLN">MS 96-22</unitid>
<origination label="Creator"><persname encodinganalog="100" role="creator">Gregory, Matt, 1921-2000.</persname></origination><physdesc label="Extent" encodinganalog="300">3 record storage cartons (approx. 3 linear feet) </physdesc>
<repository label="Repository" encodinganalog="852$a">University of Nevada, Las Vegas. UNLV Libraries. Special Collections.
Las Vegas, Nevada 89154-7010.</repository><abstract label="Abstract" encodinganalog="520$a">Collection is comprised of the papers of Las Vegas producer, manager, and agent Matt Gregory. Gregory was also known as creator of the Las Vegas-style mini-revue. Collection includes contracts, costume sketches, press releases, videos, show reviews, and advertisements. Shows documented include Fancy That, Feminine Touch, Mad Mod World, La Nouvelle Eve, and Kanpai.  Materials include correspondence, public relations material, business related material, costume and set design drawings and sketches, slides, negatives, photographs, transparencies, and videos, mostly from the 1960s through the 1980s.</abstract><langmaterial label="Language" encodinganalog="546">English</langmaterial></did>
<prefercite encodinganalog="524"><head>Preferred Citation:</head><p>Matt Gregory Entertainment Collection. MS 96-22. Special Collections, UNLV Libraries, University of Nevada, Las Vegas.</p></prefercite>
<acqinfo encodinganalog="541"><head>Acquisition Information:</head><p>Purchased in 1996.</p></acqinfo>
<processinfo encodinganalog="583"><head>Processed by:</head><p>Processed by Courtney Hartford-Fuller, May 1999.</p></processinfo>
<accessrestrict encodinganalog="506"><head>Access:</head><p>This collection is open for research. </p></accessrestrict>
<userestrict encodinganalog="540"><head>Publication Rights:</head><p>For permission to reproduce or publish from this collection, please contact the Director of 
Special Collections.</p></userestrict>
<bioghist encodinganalog="545"><head>Biographical Sketch</head><p>Matthias Gregory Gluchowski (a.k.a. Matt Gregory) as born November 21, 1921 in Araucaria, Parana, Brazil.  He was the son of an aristocratic Polish diplomat serving as Ambassador to Brazil.  Matthias was raised in southern Poland on a large estate that bordered Czechoslovakia.  He was educated at the Marian Fathers Lyceum in Warsaw, Poland, and later came to New York during his father’s tenure as diplomat to the United States.  Gregory attended Amherst University.  Shortly after returning to Poland he was forced to flee the country upon the German invasion in 1939.  Following a narrow escape via train to Italy, Matthias enlisted in the Polish Air Force, which had squadrons attached to the Royal Air Force of Great Britain.  He flew many missions as a bomber pilot and was decorated numerous times for his service.  Following the war, he returned to the United States, where he sealed his friendships with several men whom he had met during the war.  They introduced him to a number of influential people, including Frank Sinatra and a millionaire Reg Newton.  Newton, in turn, introduced him to others.  This led to Gregory’s employment as a script writer for radio and television in New York, where Gregory worked for the Milton Blackstone Agency.  He applied for citizenship and was finally naturalized as a U.S. citizen in 1955.  Upon his arrival in the U.S., he began using the name Matt G. Gregory to avoid confusion and mispronunciation.  </p><p>In 1949 Gregory moved to San Francisco, California, where he continued to work in television.  In 1953 he was invited to come to Las Vegas, Nevada by Moe Dalitz, one of the partners at Wilbur Clark’s Desert Inn Hotel and Country Club.  Dalitz recruited Gregory to work in public relations for a new project the owners of the Desert Inn were involved with- the Showboat Hotel and Casino, one of the first casinos designed to cater to “locals.”  In June of 1954, Gregory married Jeanne Malone, one of the dancers in the Donn Arden Line at Desert Inn.  This marriage ended in divorce in March of 1956.  Gregory also left the Showboat that year to pursue a career as a personal manager, agent and producer.  He made his name in the mid-1950s by representing a number of lounge acts.  He also tried to recruit and develop talented young artists.  Among his clients were Marlene Dietrich, Sandler and Young, Lee Greenwood, Jerry Fielding, and Bill Reddie and The Characters.  Gregory also produced a number of shows in Las Vegas and elsewhere.  These shows ranged from large productions to smaller revues.  He won a wider reputation by creating the “midi” and “mini” revues which brought the talent, costumes, and flair of the large shows to a smaller venue.</p><p>Some of his shows appeared in Paris, Sweden, and Japan as well as Las Vegas, Reno, and Lake Tahoe.  Still later, Gregory produced the world’s largest fashion show for the Lion’s Club Convention held in Las Vegas.  He also produced “Las Vegas Gambit,” the only network television game show to originate in Las Vegas.  He continued producing and managing until his retirement in the mid-1980s.  He was married a second time in December of 1964 to Ailsa Winton, a dancer and native of England.  They had one son, Adam Casimer Gregory-Glochowski, born in 1965.  This second marriage also ended in divorce.   Matt Gregory resided in Las Vegas until his death on July 29, 2000.</p><note><p><emph render="bold">References</emph></p><p> “Matthias Gregory Gluchowski,” <emph render="italic">Who’s Who in the World </emph>1984, 7th ed. (Chicago: Marguis Who’s Who, Inc., 1984).</p>
</note> </bioghist><scopecontent encodinganalog="520"><head>Scope and Content</head>
<p>The Matt Gregory Collection consists of 3 linear feet of material relating to his entertainment career between the years 1959-1986.  The collection contains mostly business related materials, such as contracts, negotiations, costume drawings, and technical material relating to the various full production reviews with which he was involved.  Among the contents are public relations materials, such as press releases, reviews of the shows, and advertisements.  There are some personal items, but these too are related to the productions, and include telegrams and correspondence between Matt Gregory and various friends/contact in the business.  There are also 2 boxes of videos of the various shows and productions, specifically “Hanna Barbera Happy Hour” and “Feminine Touch,” which are stored separately in Special Collections; ask staff for access to these items.</p></scopecontent>
<arrangement encodinganalog="351"><head>Arrangement of the Records</head><p>The collection is organized in chronological order by production, followed by two boxes of videotapes depicting some of the productions discussed in the documents. </p>
</arrangement>
<separatedmaterial encodinganalog="544"><note><p>Over 225 photographs and approximately 27 slides and were removed to UNLV Special Collections Photograph Collection number 0308.  .</p>
</note></separatedmaterial><relatedmaterial encodinganalog="544"><head>Related Collections:</head><p> For related topics and further information see the following collections: </p>
</relatedmaterial><relatedmaterial encodinganalog="544">
<p>Las Vegas Show Costume Designs Collection MS 2000-19 (See especially Josephine Spinedi Costume Sketches.)</p></relatedmaterial><relatedmaterial encodinganalog="544"><p>Donn Arden Collection, MS 2001-5</p></relatedmaterial><relatedmaterial encodinganalog="544"><p>Minsky’s Burlesque Collection, MS 87-97</p></relatedmaterial>
<controlaccess><head>Subject Headings </head>
<controlaccess><head>Individuals:</head><persname encodinganalog="600" role="creator">Gregory, Matt, 1921--</persname>

</controlaccess>
<controlaccess><head>Subjects:</head><subject encodinganalog="650">Entertainment -- Nevada – Las Vegas -- History</subject>
<subject encodinganalog="650">Entertainers – Nevada – Las Vegas</subject>
<subject encodinganalog="650">Screenwriters--United States--Biography    </subject>
<subject encodinganalog="650">Theatrical agents--Nevada--Las Vegas--Biography</subject>
<subject encodinganalog="650">Theatrical producers and directors--Nevada--Las Vegas--Biography</subject>
</controlaccess></controlaccess>

<dsc type="combined"><head>Inventory</head>
<c01 level="series"><did><unittitle>Detailed Folder List</unittitle>
</did>
<thead><row><entry altrender="bold">Box</entry><entry altrender="bold">Folder</entry><entry altrender="bold">Contents </entry></row></thead><c02 level="file"><did><container type="Box" label="Box">1</container><container type="Folder" label="Folder">1</container><unittitle>Shaw and Hitchcock Productions, </unittitle><unitdate type="inclusive" normal="1959/1960">1959-1960:</unitdate><physdesc>various contracts and correspondence between Matt Gregory and Sonia Shaw and Bill Hitchcock [husband/wife production team] and outside parties, as well as public relations information related to Shaw and Hitchcock Productions.</physdesc></did></c02><c02 level="file"><did><container label="Folder" type="Folder">2</container><unittitle>“La Nouvelle Eve” </unittitle><unitdate type="inclusive" normal="1959">1959:</unitdate><physdesc>correspondence between Matt Gregory and various individuals [esp. Charley Henchis] in regards to set up and close of the show.  There are some public relations materials, such as newspaper clippings and special promotions pertaining to the production.  Costuming information limited to photographs and negatives contained in the folder and located in Photograph Collection 0308.</physdesc></did></c02>



<c02 level="file"><did><container label="Folder" type="Folder">2A</container><unittitle>Photographs</unittitle></did></c02><c02 level="file"><did><container label="Folder" type="Folder">3</container><unittitle>Paul Steffen Dancers,</unittitle><unitdate type="inclusive" normal="1965/1966">1965-1966:</unitdate><physdesc>various contracts and negotiations between Paul Steffen, Matt Gregory, and outside parties; also of newspaper clippings, and reviews of productions in which Paul Steffen’s Dancers were involved.  For slides refer to Box 3. 
</physdesc></did></c02><c02 level="file"><did><container label="Folder" type="Folder">4</container><unittitle>“Bottoms Up,” </unittitle><unitdate type="inclusive" normal="1967">1967:
</unitdate><physdesc>contracts and negotiations; public relations coverage; 2 negatives.</physdesc></did></c02><c02 level="file"><did><container label="Folder" type="Folder">5</container><unittitle>“Mad Mod World,” 
</unittitle><unitdate type="inclusive" normal="1967">1967:</unitdate><physdesc>negotiations and contracts; public relations; costuming information [negatives]. See also photographs in Photo Collection 0308 and Josephine Spinedi color sketches in Las Vegas Show Costume Designs Collection.
</physdesc></did></c02><c02 level="file"><did><container type="Folder" label="Folder">6 </container><unittitle>“Pony Express,” 
</unittitle><unitdate type="inclusive" normal="1968">1968:</unitdate><physdesc>negotiations and contracts; See also Josephine Spinedi costume sketches in Las Vegas Show Costume Designs Collection.
</physdesc></did></c02><c02 level="file"><did><container label="Folder" type="Folder">7</container><unittitle>“Mod Squad Marmalade,” 
</unittitle><unitdate type="inclusive" normal="1968">1968:</unitdate><physdesc>contracts; public relations material; extensive coverage of costuming information [negatives]; see also photographs located in Photo Collection 0308.</physdesc></did></c02>



<c02 level="file"><did><container label="Folder" type="Folder">8,  9</container><unittitle>“Feminine Touch,” 

</unittitle><unitdate type="inclusive" normal="1971/1972">1971-1972:</unitdate><physdesc>various public relations material- press releases, advertisements, and critiques.  costuming information [black and white negatives]; see also Josephine Spinedi sketches in Las Vegas Show Costume Designs Collection.  For additional information refer to the “Feminine Touch” videos located in Box 2.</physdesc></did></c02><c02 level="file"><did><container type="Folder" label="Folder">10 </container><unittitle> “Fancy That,”</unittitle><unitdate type="inclusive"> 1972-1973:
</unitdate><physdesc>correspondence, contract negotiations, public relations material; costuming information [negatives]; see also photos removed to photo collection 0308, and Josephine Spinedi color sketches in Las Vegas Show Costume Designs Collection.  
</physdesc></did></c02><c02 level="file"><did><container type="Folder" label="Folder">11, 12</container><unittitle>“Fancy That,” 

</unittitle><unitdate type="inclusive" normal="1972/1973">1972-1973:</unitdate><physdesc>more business related material.</physdesc></did></c02><c02 level="file"><did><container label="Folder" type="Folder">13</container><unittitle>“Fancy That,” </unittitle><unitdate type="inclusive" normal="1972/1973">1972-1973:
</unitdate><physdesc>black and white negatives of the show, costumes, and various performers.
</physdesc></did></c02><c02 level="file"><did><container label="Folder" type="Folder">14</container><unittitle>“Fancy That,” 
</unittitle><unitdate type="inclusive" normal="1972/1973">1972-1973:</unitdate><physdesc>bulk of public relations material, including newspaper clippings, press releases, and reviews.</physdesc></did></c02><c02 level="file"><did><container label="Folder" type="Folder">15</container><unittitle>“Fancy That,” 

</unittitle><unitdate type="inclusive" normal="1972/1973">1972-1973:</unitdate><physdesc>flyers and press releases.</physdesc></did></c02><c02 level="file"><did><container type="Folder" label="Folder">16 </container><unittitle>“Fancy That,”
</unittitle><unitdate type="inclusive" normal="1973/1974">1973-1974:</unitdate><physdesc>public relations material, including press clippings and reviews.</physdesc></did></c02><c02 level="file"><did><container label="Folder" type="Folder">17</container><unittitle>“Fancy That,” </unittitle><unitdate type="inclusive" normal="1973/1974">1973-1974:</unitdate><physdesc>several photos and negatives of different performances; regarding costume design see also Photo collection 0308 and Josephine Spinedi sketches in Las Vegas Show Costume Designs Collection.  

</physdesc></did></c02>



<c02 level="file"><did><container label="Folder" type="Folder">18</container><unittitle>“Fancy That,” 
</unittitle><unitdate type="inclusive" normal="1973/1974">1973-1974:</unitdate><physdesc>additional public relations material.</physdesc></did></c02><c02 level="file"><did><container type="Folder" label="Folder">19</container><unittitle>“Kanpai” 
</unittitle><unitdate type="inclusive" normal="1974">1974:</unitdate><physdesc>contains the master and bank contracts for the show.</physdesc></did></c02><c02 level="file"><did><container type="Folder" label="Folder">20 </container><unittitle>“Kanpai” 
</unittitle><unitdate type="inclusive" normal="1974">1974:</unitdate><physdesc>
public relations material; also costuming information [negatives].  See also Photo Collection 0308 and Josephine Spinedi designs in Las Vegas Show Costume Designs Collection.  For slides refer to box 3.</physdesc></did></c02><c02 level="file"><did><container type="Folder" label="Folder">21</container><unittitle>Benihana Dancers, </unittitle><unitdate type="inclusive" normal="1974/1976">1974-1976:
</unitdate><physdesc>contract negotiations regarding the five “Kanpai” dancers who were to perform at the Benihana restaurant at the Flamingo Hilton.  Also press release in regards to opening of the restaurant.</physdesc></did></c02><c02 level="file"><did><container type="Folder" label="Folder">22 </container><unittitle>“USA Made” 

</unittitle><unitdate type="inclusive" normal="1977">1977:</unitdate><physdesc>some press clippings, stage and set photos and notes on planned layout of the show.  Advertising flyers and photos of performers.  Refer to Box 3 for slides.</physdesc></did></c02><c02 level="file"><did><container type="Folder" label="Folder">23 </container><unittitle>“Dancin’ Machine” 
</unittitle><unitdate type="inclusive" normal="1978/1979">1978-1979:</unitdate><physdesc>contracts and budgets, entertainment schedules, reviews, publicity flyers, and correspondence.</physdesc></did></c02><c02 level="file"><did><container type="Folder" label="Folder">24</container><unittitle>“Feminine Touch” 
</unittitle><unitdate type="inclusive" normal="1981">1981:</unitdate><physdesc>contracts, stage designs, insurance certificates.
</physdesc></did></c02><c02 level="file"><did><container type="Folder" label="Folder">25 </container><unittitle>“Feminine Touch” 
</unittitle><unitdate type="inclusive" normal="1981">1981:</unitdate><physdesc>various public relations material, including press releases, show critiques, and publicity shots of performers.  For costume information, see Photo Collection 0308 and Josephine Spinedi costume sketches in Las Vegas Show Costume Designs Collection.  For additional info refer to videos located in Box 2.</physdesc></did></c02><c02 level="file"><did><container type="Folder" label="Folder">26 </container><unittitle>“Feminine Touch” 
</unittitle><unitdate type="inclusive" normal="1981">1981:</unitdate><physdesc>publicity as provided by Silverbird Casino.</physdesc></did></c02><c02 level="file"><did><container type="Folder" label="Folder">27</container><unittitle>“Feminine Touch” 
</unittitle><unitdate type="inclusive" normal="1985/1986">1985-1986:</unitdate><physdesc>business material.
</physdesc></did></c02><c02 level="file"><did><container type="Folder" label="Folder">28 </container><unittitle>“Feminine Touch” </unittitle><unitdate type="inclusive" normal="1985/1986">1985-1986:</unitdate><physdesc>some public relations material, such as press releases, and some business material.  Bulk of the folder consists of proofs displaying costumes and sets.  For additional material on costume and stage design, refer to Photo collection 0308 and Josephine Spinedi costume sketches in Las Vegas Show Costume Designs Collection To view this production, see videos in boxes 2 and 3.

</physdesc></did></c02><c02 level="file"><did><container type="Folder" label="Folder"></container><unittitle><?xm-replace_text Type new unittitle here ?></unittitle><unitdate type="inclusive"><?xm-replace_text {unitdate}?></unitdate></did></c02><c02 level="file"><did><container type="Box" label="Box"> 2</container><container label="Folder" type="Folder">n/a</container><unittitle>17 “Feminine Touch” videotapes.  </unittitle></did></c02><c02 level="file"><did><container type="Box" label="Box">3</container><container label="Folder" type="Folder">n/a</container><unittitle>5 “Hanna Barbera Happy Hour” videotapess, 1 box of Paul Steffen’s Dancers slides, 1 box of  “Kanpai” slides, and 2 boxes of “USA Made” slides. </unittitle></did></c02><c02 level="file"><did><container type="Folder" label="Folder"></container><unittitle><emph render="bold">END OF INVENTORY</emph></unittitle><unitdate type="inclusive"><?xm-replace_text {unitdate}?></unitdate></did></c02></c01></dsc>
</archdesc></ead>
